Line and calligraphy have served as a record of that which is seen and heard for thousands of years. Opportunities to observe and record movement, edges, or sound with line surround me. By visually following the movements and edges of forms and creating a written record, I form the catalysts for my paintings. Compositions are often created with a single, continuous line that meanders, changes color, moves backward, forward, or connects back to the beginning. Advancing through the painting process is a contemplative, immersive process and I wish the viewer their own momentary immersion as they progress through the composition. I see the paintings as a metaphor for progression, a process integral to individual lives and civilization as a whole. Every day, I ask myself what it means to use line as a form of artistic expression in the twenty-first century.